Finally, we’ve posted the last batch of 2018 greetings postcards. On to new projects! After a couple of very small run of 35 x 55 cm split fountain poster test prints on our new workshop, we’re ready to plan, design and print the new 2019 postcard! Let’s see if we can mail it on time, this time 😉
July August already… and we’re still trying to send our personal new year’s greetings. We could say it’s a Portuguese thing, but it’s not. It was all on us this time. It was us… and the birth of M, the third one, that is.
But they [the postcards] are now on their way to our dear friends and colleagues by snail mail. Have you received one yet? Continue reading
In the last months (since summer, actually) we’ve been involved in a series of projects. A couple of commissions and a few experiments. As a result, we still haven’t printed our new year greetings card… (it’s in the works, it will be done soon!)
In the meanwhile, we’ve had the chance to try, experiment, and learn a few things with other works. The FBAUP’s greetings card was one of them. Continue reading
As we did around this time last year, we’ve started by trimming the 350g/m2 paper stock — we had to cut all the 150 sheets by hand with a x-acto knife –, and in the end we’ll trim the folded harmonic with a guillotine.
On the first days of august we’ll start printing the base/background colors while the author finishes the poem text.
We are planning our 2018 Letterpress project. This year, we have a few surprises lined-up.
Starting with embossing experimentation. Paulo Gabriel, a friend and colleague from work, helped out laser engraving this “infinite loop” in MDF composite, that will set the visual tone of the booklet.
Tonight, we’ll give it a go on the small Adana, and see how the embossing works out on the 350g/m2 cover paper stock. Fingers crossed!
Stay tuned for additional and updates from June until the end of August 😉
A few months ago (almost a year now), Catarina – a “fora da caixa” friend – help us print a small batch of thank you card notes. We only needed 5, but as we were handing them to designers and printers fond of letterpress printed materials, it made sense to do them in the small Adana.
We printed the word “OBRIGADO” (that we actually had to print “QBRIGADO” with an upside-down “Q” for the lack of extra “O”s) in 1,5 inch british grotesque wood type, on 350 g/m2 textured watercolor paper.
As you can see in the image, many didn’t come out perfect. We had to get the gear ready for the interviews AND print the postcards in a couple of hours. But I tend to like the dirty deffective ines better anyway 😉
In the end, it was a really well spent evening.
In the last years, we’ve sent “happy new year” SMS, emails and postcards. Last year, we printed one in letterpress. It was awesome to do. And, as a result, to engage with friends and family by traditional mail. So, this year, we’ve decided to do it again.
We have finished printing and binding (sewing) this years’ postcards. The caveat being that it is a postcard-booklet, or is it the other way around? Anyhow, we’ll start mailing them today to wish everyone:
Happy new year!
May 2017 be an excellent year for us all! 😉
After a couple of rounds of testing with different lines, and line tension in the Singer machine we’ve ended up sewing about 30 booklets… But then the machine broke!… We managed to borrow an older Oliva machine that served us well — thank you Guida!
We’ve finished sewing all the booklets. All 100 of the planned edition by the end of day. We’ve also threw in a few experimental bindings / printer proofs in the mix. They won’t be distributed in the same edition, but it was fun to do anyway.
And that’s it. Booklet finished (we still have to dispatch them).
After an intensive two-day sprint, and 1800 hand presses on the little Adana, we’ve finally finished printing the booklet. It consists on a A5 cover, plus a double A4 imposition plate of an 8 page, work and tumble printing scheme.
While composing the text, we’ve decided to add an extra green color illustration layer to the all-black-on-white text layout.
After a day of rest, we’ll be sewing the booklet (for the binding). And that will be it!
After a few months, we’ve set up shop again and set the entire poem. Here it is. Only one line missing—the first. It was set and test printed along with the cover during the summer break.